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NOVEMBER 11 TO DECEMBER10
Between 11/11 and 12/10 we lost 36 minutes of light at dawn, and 20 minutes of light at dusk. |
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11/18/00 BACK HOME I was only gone 8 days, but the weather, light, air, and space have moved into a stillness, and a low gravity resolution. Most of the leaves have fallen, and I laugh out loud about the broken bottle. Time and the impact of weather are moving this project in a new direction. It is time. |
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11/19 At the first hint of light I walk up to the studio. I can see my soft-edged moon shadow on the frost. The light is locked inside a silently immense world and compresses against white, stiff grass. Nothing moves. |
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11/20 It is dark, and I am not alone. My flashlight disturbs a herd of elk. I see legs and rears back lit by the neighbors yard light, and I feel their weight move the ground. Their calls stream from body to body arcing over the brush, and ropes them into order. |
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11/21 The bottle is gone! The base was severely cracked, but still holding together after the initial explosion. Freezing temperatures have pushed it to the breaking point. I laugh and breathe a sigh of relief. The base has splintered, and the fragments form a landscape, a moonscape, a glass shardscape, a low evnivornment . The bottle fragments form a low landscape of shards. I chose a glass bottle because it is from the earth, and it has been expanding and contracting all year. This has been an organic process for both of us. |
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11/24/00 |
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12/06/00 The old, battered, rusted, scratched container cars in the freight train going by have the same vivid, swelling, wet earth colors as this early December landscape. |
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