The still life
Shelter and view
Rosemary Powelson in shelter

DAWN & DUSK

A Sketchbook of Drawings

Paintings . Photos of the Studio . Work with Students . Light Words . Why the Bottle?

"Maybe I misunderstand the creative process, but I very seldom find it "FUN" and something one does to fill a sunny afternoon.
The path is rocky, but not without its vistas and Kodak moments".

Last modified December 31, 2000

When I moved to the countryoutside of Longview ,Washington and away from city lights and enclosed spaces, I was thrilled by my daily experiences of the landscape and the powerful and spiritual presence of natural light. Through the disciplined approach of drawing what I saw out my window I understood that without stopping to focus I would only be partially seeing this world.

What I wanted was a real physical experience of light. In order to get closer and more intimate I chose a bottle, spray painted it "primer" gray, and secured it to a sculpture stand in the open landscape about six feet away from the covered shelter where I draw.

Many people have asked me "Why the bottle?" and "Why that bottle?" The answers are found in words and images in this link.

 Dawn December 22, 1999

I always want to know what happens when opposites meet. For me the space in between objects, people, ideas, or cultures is an arena full of psychology, mystery, and complexity. At daybreak and nightfall there is a time and a space when each becomes the opposite. When does morning arrive? When does night?

On the winter solstice, December 22, 1999, I began drawing at dawn and dusk to explore the seasonal changes of light. This year's solstice was also a full moon so I am grouping the drawings on a 28-day lunar cycle instead of using a traditional calendar month. New drawings will be posted after each full moon.

Each page of the sketchbook has a dawn and dusk drawing so they can be compared. Written notations for date, place, time, temperature, direction, wind speed, and general weather conditions accompany each drawing. Each drawing is 3" x 5", and I use a template so the placement of the drawing on each sketchbooks page is the same. The dawn template has a cover that I use when I'm making the dusk drawing so I am not influenced by it. I will be using a variety of wet and dry media such as watercolor, inks, colored pencils, and graphite. The color of the media will reflect the month and season.

January 11, snowing
digitally enhanced photo
  

 
To see drawings and diary entries for a particular month starting on the date of the full moon:

12/22/99 - 1/20/00

1/21/00 - 2/18/00

2/19/00 - 3/19/00

3/20/00 - 4/17/00

4/18/00 - 5/17/00

5/18/00 - 6/15/00

6/16/00 - 7/15/00

7/16/00 - 8/14/00

8/15/00 - 9/12/00

9/13/00 - 10/12/00

10/13/00 - 11/10/00

11/11/00 - 12/10/00

12/11/00 - 12/21/00

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It is important to me that this project spans an entire year's solar cycle that begins on the winter solstice. It is the day with the least amount of sunlight, and it is the lowest point in the solar cycle. As it has been in many cultures, it is a time of renewal for me that is more natural and fundamental than the calendar date for the new year. From the darkness of this day the upward swing begins towards the summer solstice in June, and days that are filled with more light than dark. About June 21, on the summer solstice,the reversal begins and our days have less and less light until the circle is completed about December 21, on the winter solstice.

FOR INFORMATION ABOUT THE SOLSTICE you can visit the following sites:

The University of Michigan Windows to the Universe A site that explains the solstice in three different levels, elementry, intermediate and advanced.
 
The Ancient Origins of the Holidays Site The Solstice page of this site tells about solstice rituals, festivals and architecture.
 
The United States Naval Observatory's mission is to determine the positions and motions of celestial objects, to provide astronomical data, to measure the Earth's rotation and to
maintain the Master Clock for the United States.
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Click below for a page of

Light Filled Words & Phrases

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Exploring the light at dawn and dusk has nudged my idea pool and made it ripple. The daily drawings have become springboards to new forms and expanded my definitions of dawn and dusk. I am incorporating images of transparent vessels into collages.

SEE THE PAINTINGS
 
The Studio

 

The shelter, the bottle and all the outdoors are my studio
as much as the building that is traditionally called a studio.
Click here to see more of the studio, inside and out
 
The cat and works in progress
 
 

ABOUT ROSEMARY POWELSON

Rosemary Powelson in an artist and educator who lives and works in Longview, Washington. She has a BFA and an MFA in studio art, and teaches design, drawing, art history, and integrative studies at Lower Columbia College. She has been the recepient of numerous grants including the National Endowment for the Humanities (video), the Lower Columbia College Foundation (printmaking), and a Fulbright Hayes Group Project grant for study abroad.
 
She has been a visiting artist in the public schools, collaborated with a poet to produce a chap book of art and poetry, a humanities consultant, the exhibit coordinator for a regional juried art exhibit, member of a mask theatre ensemble performance group, and an avid traveler who has visited
Europe, Egypt, Jordan, China, and Pakistan. Work with children at St Helens School in Longview, Washington
 
She exhibits her artwork on a regional and national level. Below is a link to her most recent exibition.

What Is Drawing Now? an exhibition at Weber State University in Ogden, Utah

Click here to see Rosemary Powelson's drawing "Christmas Past" which is included in this exhibition
Click here to see photos of the entire exhibit.
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Contact Rosemary Powelson

Paintings . Photos of the Studio . Work with Students . Light Words . Why the Bottle?
Web Designer and Web Master Bonnie Meltzer
www.bonniemeltzer.com
e-mail Bonnie Meltzer